NOV 22 → DEC 1, 2025
Over these ten days, the ship changed coordinates. I moved to Hwaseong City — a place that feels appropriately named Mars, a quieter orbit away from noise. The space is smaller, but the separation feels important. It’s easier to work when the world is further away.
This period marked a major milestone: the official release of my first SUN album, ELON-SUN - The Challenger. Twenty tracks went live on Spotify, Apple Music, YouTube Music, and other platforms. Until now, everything lived in drafts and local folders. Seeing SUN enter the public record felt like ignition finally turning into flight.
I also published a new essay on Medium — a full overview of the TenKforHim project and its structure. From here on, the plan is simple and strict: one essay every two weeks. Even if the music moves fast and chaotically, I want a stable written signal that documents the direction in slow motion.
Work on VEN temporarily stalled at Annie and Mika due to the lack of an iOS device. Instead of waiting, I jumped ahead. I completed VEN 9, VEN 10, and EAR 1 — filling the empty spaces of the constellation first, knowing the uploads will still follow the original order once everything is ready.
SoundCloud quietly crossed 500,000 total plays. The number looks loud on paper, but the silence elsewhere is striking. On YouTube, TikTok, and X, the response is still almost nonexistent. It feels like shouting into a vacuum — the sound exists, but the echo hasn't returned.
The next ten days will belong to EAR. From December 2 to December 11, I'll focus on the Earth project — music shaped by geography, continents, and natural structure. I may not finish the entire world in one orbit, but I expect to come very close.
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